I am a Surface Design, Fiber and Mixed Media Artist living in St. Charles County Missouri. My initial work with fabric began in eighth grade where I started sewing as a creative endeavor. I am mostly self taught and have no actual degree in Art. My art education was acquired by taking painting and design classes at several local Community Colleges, and various hands on workshops. I am a member of Missouri Fiber Artists, Surface Design Association, St. Charles County Arts Council, and a Juried member of Best of Missouri Hands.


I am a retired art teacher who currently teaches art classes to adults through St. Charles Community College, Project LEADD and several galleries. I am on the board of the St. Charles County Arts Council where I frequently exhibit stitching, surface design and crochet works at their Lillian Yahn Gallery.

Phyllis Shipman


I have always been drawn to fibers since taking sewing in 4-H and then teaching myself to knit at age 12. I realized at a later stage in my life that I wanted to work with fibers in a more artistic way. I accomplished this by receiving a Bachelor of Fine Arts and focusing on different fiber media and techniques.


I have been a weaver for over 30 years. I currently have four floor looms and many Inkle looms and I like to dabble in a variety of fiber techniques, but weaving is my favorite. In addition to MoFA, I am a member of Springfield Fiber Artists and the St. Louis Weaver’s Guild.


I am a St. Louis-based fiber artist whose initial forays into the world of fiber arts began years ago with knitting and now also include, felting, sculptural paper, eco-dyeing, basketry, creative bookbinding, traditional rug hooking, and beadwork. Widely traveled internationally, many of my works are inspired by what I have seen and experienced while “on the road.” I am also a member of the Weavers Guild of St. Louis.

Kacey Cowdery


I earned a BFA from Maryville University, with a major in Interior Design.  Working with architects, I produced interior architectural design, furniture and carpet designs and color schemes. Grids from architecture have crossed over into my fiber art. I have helped to arrange state-wide exhibitions, by taking on the position of co-coordinator of Exhibitions for Missouri Fiber Artists. Currently, I am developing a computer presentation for MoFA.

Candy Grisham


I have been quilting since high school and am self taught. I work with all types of quilting: hand piecing, machine piecing, appliqué and I now do longarm quilting for myself and others. I am currently experimenting with art quilts and fiber manipulation, and basically love anything to do with fabric. my passion is sharing fun and new techniques and aspects of quilting with others and have taught quilting classes for local and state quilds networks and shops in the St. Louis area. In addition I have shown quilts in Paducah and Houston shows along with local and state quilt shows. I lives in Washington, Missouri with my husband, and love to hike, garden, read and travel.

Carol Zeman


I am a retired graphic Designer/Art Director who had just been waiting to go back to fine art. Fiber art, papermaking, non-traditional baskets and sculptural forms are what I love, with a little photography and digital art on the side.  I reside in Osage Beach at Lake of the Ozarks.

Deb Lewis


I am from St. Louis.  I work in surface design with all types of dyeing.  I also am delving into book making.  I like to use found objects and up-cycled materials.  Hand stitching is playing a big role in my work.

Mary Ehlmann


Coming from a broad artistic background, I have painted and drawn my whole life, and have dabbled in air-brushing, papermaking, cross-stitch and ceramics. Painting seems to be my medium of choice these days. I graduated from Webster University with a BA in graphic design and fine art, and am currently employed with a career in marketing. In my spare time, I get my camera out and shoot away, bringing my next inspiration to the forefront.

Barbara Overby


I am a founding member of MoFA. Although my work over the years has been mainly as a weaver, I have always been interested in all the fiber arts. My weaving career began in 1952 at St. Olaf College in Northfield, MN. In 1955, I apprenticed with Leah Allen, a weaver and teacher in Portland, OR. Since then, I have taught small children how to use a loom, taught at conferences and workshops, given workshops at various guilds and groups in the Mid West and have been a member of the Columbia Spinners and Weaver’s Guild in Columbia.


After a failed childhood attempt to sew a terrible purple polyester skirt while my grandmother sighed and ripped out my stitches it is a wonder I ever learned to love working with cloth. It was weaving potholders on a frame that first sparked my dedication to working with textiles. As an adult, I bought my first loom and began weaving cloth, eventually specializing in fine lace using silk and linen. Years later quilting hooked me when I first saw batik fabrics. Since then I have fully embraced creating art with cloth. I happily dye, print and paint my own cloth and feel quite happy spending countless hours embroidering or stitching the surface of an art quilt on my machine. I love the process of creating pattern, color and texture with my own hands. It’s been a much loved and colorful road and my profession for the past 25 years resulting in my work traveling to exhibits, numerous awards and being purchased for private collections.

Jennifer Wax


I enjoy art quilting, book and basket making and am a retired art teacher who loves spending time in my studio.


I am a Studio Art MFA Candidate with an emphasis in fibers living in Columbia, Missouri.

My initial introduction to fiber art was my grandma trying to teach me crochet when I was 6 years old. I never got past chaining with her. My older brother and I on a whim decided to try picking it up again in college; he figured it out, but I couldn’t get it. By the fourth or fifth attempt at teaching myself, I finally got it. In the meantime, I also created pen and ink drawings that were essentially 2 dimensional crochet – just circles on circles.

My second taste of fiber art was learning papermaking while pursuing my Bachelors of Art at Webster University in St. Louis. My longing for access to a paper studio motivated me to apply to the MFA program at the University of Missouri-Columbia.

Currently, I create experimental weavings on deconstructed found objects – in this case, parts of a piano – and translate these weavings into music.

I was an artist for the 2016 Tigers on the Prowl, am a member of the Columbia Art League, and have exhibited at Third Degree Glass Factory in St. Louis, MO.


I am a retired art teacher and museum educator and now a full-time artist except when traveling or volunteering. I have been a MoFA member since 1979, and have served on the MoFA Board in many capacities during those years. In my work, I continues to explore the human condition through figurative and landscape themes.



As a St. Louis-based teacher and artist working in theatre, fibers, ceramics, and mixed media, my approach to my work is through mindfulness-based practices, which facilitates a playful, spacious, and compassionate process and environment. My formal education and training is in classical acting, movement, and Buddhist practice. After practicing meditation for a few years, my creative work began to expand in scope to include quilting, embroidery, surface design, brush work, wet and needle felting, weaving, clothing design, and jewelry making – all of which are self-taught. I have been taking pottery classes at Krueger Pottery since January 2015.


STL born and raised.  I’m constantly expanding my knowledge for new crafts and skills while simultaneously narrowing my focus on fiber processing, spinning, and knitting.  I travel to several fiber festivals a year taking classes and adding to a never ending collection of wool & fiberous friends.
Bonnie Black


I am a retired art education professor who moved back to Missouri and lives in the house my family moved into when I was 10 years old. While i started out as a weaver in college, my fiber art today branches into several different areas, including felting, bookmaking, basketry and beading.




I have been a weaver for over 30 years. I currently have four floor looms and many Inkle looms and I like to dabble in a variety of fiber techniques, but weaving is my favorite. In addition to MoFA, I am a member of Springfield Fiber Artists and the St. Louis Weaver’s Guild.


I have been fascinated by fiber arts since 1974, enjoying weaving, dyeing, spinning, and learning new techniques.

Jennifer Wax


I enjoy art quilting, book and basket making and am a retired art teacher who loves spending time in my studio.



After graduating from Michigan State University, Newport News University and Rio Grand University, I became an educator, spanning 40 years, and recently an experimental artist upon retiring. My painting mediums include watercolor, fluid acrylics and a variety of polymer mediums, and my forms include mixed media, digital prints, collage, fiber, handmade books, eco dyeing and quilts. The themes I choose often evolve around organic shapes and nature. Some of my work can be found in The New Creative Collage Techniques by Nita Leland, There’s No Place Like Home, published by the Society of Layerists in Mixed Media through Blurb and in Susan St. Johns A Walk Into Abstracts: How Did They Do That? You can find work composed of both black and white photos and poetry in a published book entitled God Around Us. I continue to explore and experiment in surface design on paper and cloth discovering a variety of mixed media and collage techniques. My work can be found at the Pumphouse Art Gallery and Picture This Art Gallery in Chillicothe, Ohio. I am a member of the Missouri Fiber Artists, International Society of Experimental Artists, Society of Layerists in Mixed Media, National Watercolor Society, Ohio Watercolor Society and the Chillicothe Art League.

Dora Agbas


I grew up in Hungary, where I studied to be a research biologist. Settling in
Kansas, I continued working as a neuroscientist, but creative self-expression through art making became more important to me in the last decade. As in my day job, experimentation is an important part of my artistic process. My favorite techniques include drawing, collage, screen printing, free motion machine stitching and modern hand embroidery as expression of line and texture.

Besides MoFA, I am a member of the exhibiting art quilt group, Edge, since 2012
and the Surface Design Association since 2016.

©2018 Missouri Fiber Artist

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